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Provided by the compucert Cherrytree Films presents “Love, Kills xx," an episodic web series starring – and directed by – Natalia Kills. The series explores the deepest and darkest impulses of Natalia Kills' imagination.
"Love, Kills xx" EPISODE 1
Natalia Kills told Idolator.com of her “Love, Kills xx” film series, "I made it for my fans so they could get to know me better. It’s a collection of three-minute episodes of artistic visuals—me being myself but in unusual situations." New episodes are unveiled Mondays at 5pm PST on http://www.nataliakills.com/ and Tuesdays on VEVO.
The short film is a companion visual piece to Natalia's debut album Perfectionist, a sonic journey into her signature world of dark pop, due out later this year on will.i.am/Cherrytree/Kon Live/Interscope Records. Written by Natalia and influenced by the likes of Depeche Mode, Kate Bush and Prince, Perfectionist was helmed by star producers including Jeff Bhasker (Kanye West, Alicia Keys), Akon (Gwen Stefani, Nelly), Martin "Cherry Cherry Boom Boom" Kierszenbaum (Lady Gaga, t.A.T.u.), Fernando Garibay (Britney Spears, Lady Gaga) & Neff-U (Keyshia Cole, Ashanti).
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Natalia Kills writes. She writes songs, poems, scripts, screenplays, lists, instructions and personal notes addressed to "Sweetheart." British by birth, Jamaican and South American by descent and citizen of the world by fearless exploration and sheer determination, Natalia is a new-millennium renaissance woman. Having written her entire debut album as well as written and produced her debut video clip, "Zombie," Natalia conjures and composes her own reality. She's as likely to reference MacBeth as she is The Shining in a libretto or a tweet. She strives for "Perfection" - an ideal to which she says all humans are genetically programmed to aspire - and the basis of her debut album title Perfectionist (out in 2010 on Will I Am/Cherrytree/Kon Live/Interscope/Bozadya/Dandyville Records). This thread is across all of her aesthetic output including her music, performance, clothes, web series and film. The latter is a companion visual piece to her album, weaving motifs from her lyric and songs throughout. It's all one thought for Natalia: one thread imagined and written simultaneously across canvas, video, film and paper ...and all signed "Love, Kills."
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